Passings: Carol Zemel

A field of flowers at sunset

York University Professor Emerita Carol Zemel passed away peacefully on Nov. 21 in her 80th year at Elizabeth Bruyere Hospital in Ottawa.

Zemel’s intellectual contributions are vast, as she had a tremendous appetite for ideas, images and stories, as well as a worldwide network of friends, colleagues and former students in many fields of thought.

Carol Zemel
Carol Zemel

Zemel (née Moscovitch) was born on Aug. 19, 1941, in Montreal, Que. She attended Westmount High school, and in 1962 completed a BA in arts at McGill University. She moved to New York to study at Columbia University, where she completed her PhD. 

Before moving to Toronto in 2001 to become Chair of the Department of Art and Art History at York University, Zemel served as professor of art history at the State University of New York at Buffalo. She began her career as a scholar of Vincent van Gogh and wrote three books about the artist, including Van Gogh’s Progress: Utopia, Modernity, and Late Nineteenth Century Art (University of California Press, 1997) and The Formation of a Legend: Van Gogh Criticism, 1890-1920 (UMI Research Press, 1980). 

In the early 2000s, Zemel turned her attention to Jewish studies, a turn that constituted what she called a major reorientation of her scholarly work, and which culminated in the publication of Looking Jewish: Visual Culture and Modern Diaspora (Indiana University Press, 2015). 

Looking Jewish is dedicated to the memory of Zemel’s parents: Joseph William Moscovitch (Vaslui, Rumania, 1900-Montreal, 1949) and Beatrice (Rebekah) Greenblatt (Izyaslavl, Ukraine, 1913-Montreal, 1981), whose lives were marked by migratory experience and self-fashioning. One of Zemel’s last essays was devoted to representations of Jewish migration (“In Transit: No End in Sight,” AJS Perspectives, Fall 2017). 

Similar to her own trajectory, Zemel sought to explore work by artists whose work referred to their Jewish identity, and who achieved recognition and success among both Jews and the non-Jewish cultural mainstream.

Zemel’s turn toward Jewish studies may have begun in Amsterdam, where she stumbled upon Roman Vishniac’s photographic collection of images of Jewish life in Europe before the Holocaust, A Vanished World (1977), as well as Lithuanian-born photo montage artist Moi Ver’s (Moshé Raviv-Vorobeichic), Ghetto Lane in Vilna (1931).

In 2000-01 she received a fellowship for study at the University of Pennsylvania’s Center for Advanced Judaic Studies. Her fellowship project, “Graven Images: Visual Culture and Modern Jewish History,” paved the way for a number of publications. In recent years she held fellowships at the Anne Tanenbaum Centre for Jewish Studies at the University of Toronto and the United States Holocaust Memorial Museum. 

In addition to her books, she wrote eloquently and powerfully on subjects ranging from diaspora, to visual humour, Canadian performance and installation art, Galut, melancholy and Holocaust prisoner drawings. Zemel’s chapter in Image and Remembrance: Representation and the Holocaust (Indiana University Press, 2002), entitled “Emblems of Atrocity: Holocaust Liberation Photographs,” became a resource not only for Holocaust studies but for the very critique of photography that was often dismissed. She wrote on an enormous range of artists, including Vera Frenkel, Lucian Freud, Alter Kacyzne, R.J. Kitaj, Leon Kossoff, Bruno Schulz, Tobaron Waxman, Yael Bartana and Emily Jacir. 

Zemel also devoted herself to service. She twice served on the Board of Directors and as coordinator of the Arts Section, the College Art Association (CAA), the University Arts Association of Canada (UAAC), and the World Jewish Congress (Jerusalem). She was a member of the editorial board of Images, A Journal of Visual Art and Visual Culture

Most recently, she was working on a manuscript on the visual art made during the Holocaust by Jewish and other concentration camp prisoners, which she tentatively titled “Art in Extremis: Visual Representation of the Holocaust From Within.”

Zemel had a magnetic connection to the world of ideas, storytelling, and aesthetics. She will be greatly remembered and missed by many colleagues, students, artists and friends.


To read more about Professor Emerita Carol Zemel in YFile, visit these stories:
Road to Congress: Art in the extreme
MOSAICA website explores contemporary Jewish art
York fine arts professors remember

York U in the news: nature’s big year, sex lives and more

Nature’s Big Year
York University Professors Cora Young and Trevor VandenBoer were on CBC’sThe Nature of Things episode Nov. 12.

‘The Sex Lives of College Girls’ Pursues an Awkward Education
York theatre alumna Amrit Kaur was profiled in the New York Times Nov. 16.

The best sociology schools in Canada 2021
York University’s Department of Sociology was profiled in University Magazine Nov. 16.

The best philosophy schools in Canada 2021
York University’s Philosophy program was profiled in University Magazine Nov. 16

Latest developments in York’s Glendon campus
York University spokesperson Yanni Dagonas was quoted in Excalibur Nov. 15

‘Cowboy Bebop’: Groundbreaking anime series earns a Netflix remake for iconic artistic fusion
York PhD candidate Matthew Poulter co-wrote an article for Conversation Canada Nov. 15.

Winners announced for the 7th annual CanBIM Innovation Spotlight Awards
York University was mentioned in Canadian Architect Nov. 15.

Higher education conclave in Chandigarh from Thursday
York University was mentioned in Tribune India Nov. 15.

Canadian Imperialism and the Responsibility to ‘Voluntour’
Graduate student Shreya Ghimire penned an op-ed for The Bullet Nov. 14.

How to make getting the COVID-19 vaccine for kids as pain-free as possible
Rebecca Pillai Riddell, a clinical psychologist at York University, was profiled in a Globe and Mail story Nov. 14.

Rachel McAdams Talks About Making Friends On Film Sets
York theatre alumna Rachel McAdams was profiled on CengNews Nov. 14.

‘Learning is lifelong’ – 87-year-old Tamil graduate speaks of her journey through university
The Tamil Guardian profile York grad Varatha Shanmuganathan Nov. 14.

‘It’s been a nightmare’: Pandemic aftershock hits short-handed employers
Winny Shen, associate professor of organizational studies at York University, was quoted in a Yorkregion.com story Nov. 14.

Kamal Khera, Trudeau’s youngest minister, says she’ll draw on her pandemic experiences in cabinet
York alumna Kamal Khera was profiled on CBC News Nov. 13.

Western students stand up for those targeted for being visibly Muslim
Fatimah Jackson-Best, a course director at York University and public health researcher, was mentioned in a CBC News story Nov. 12.

Talking music with Alokananda Dasgupta and Nikhita Gandhi – how Spotify is shining the spotlight on women with AmplifiHER
York music alumna Alokananda Dasgupta was featured on the blog HERSTORY Nov. 12

Join seminars hosted by AMPD’s Oscar Peterson Jazz Artist-in-Residency

Tony Suggs

York University’s Department of Music in the School of the Arts, Media, Performance & Design (AMPD) will feature award-winning pianist Tony Suggs as part of its 2021-22 Oscar Peterson Jazz Artist-in-Residency.

During his residency, he will deliver masterclasses, workshops and seminars for vocalists and instrumentalists. Two of these sessions will be free and open to the public:

Monday, Nov. 15
9 to 10:30 a.m.
Introduction
Register here.

Wednesday, Nov. 17
11:30 a.m. to 1 p.m.
Improvisation
Register here.

About Tony Suggs

Tony Suggs, at an early age, became interested in the church’s beautiful Hammond B3 and in a short time he began to play regularly for worship services. Seeing the sprouting interest, his parents surprised him with a piano for Christmas at the end of the year. This is where he found his lane. He was introduced to big band jazz in the ninth grade at Martin Luther King Jr. High. His early inspiration came from saxophonist and band director Ronald Carter, who instilled the art of “swing” into his students. During his senior year, Suggs entered the Illinois All State Music Composition contest and won, leading to several scholarship offers throughout the country. He chose Jackson State University of Mississippi, where he received a full scholarship.

In 1991, while opening for the Count Basie Orchestra (CBO), Suggs met the legendary Frank Foster, musical director for the Count Basie Orchestra. During this concert, Foster let Suggs play with the band on “Good Times Blues,” by Ernie Wilkins upon Suggs` request. After the performance, Suggs made a connection with the pianist of CBO George Caldwell, later they would become phone buddies. Most of their conversations ended with, “When you leave, I want cho’ spot.” In November 1999, Suggs was given the chance he wanted for a long time, to work with the world famous Count Basie Orchestra. This one chance was all he needed to accomplish one of his biggest goals. In addition to the Count Basie Orchestra, he has worked with numerous artists such as Ledesi, Nnenna Freelon, Nancy Wilson, Jon Hendricks, Manhattan Transfer, New York Voices and French entertainer Michele Leeb to name a few. He also has worked with other projects, such as Russell Gunn’s Grammy-Nominated Ethnomusicology Volume 2 , Roy Hargrove’s RH Factor and, Jeri Brown’s Canadian Grammy-Nominated Firm Roots. After 12 years of performing for festivals, television, and radio broadcasts, Suggs left the Count Basie Orchestra.

The Asian pop culture has been a focus in recent years touring and working with artists such as Yonoa, Hannah Spring, Toku, JuJu, Maya Hatch as well as other musical groups in Asia. In addition, Suggs has dedicated much time to teaching and fulfilling numerous invitations as a special guest at various institutions all over the world.

The Oscar Peterson Jazz Artist-in-Residence is made possible by a grant from the Ministry of Training, Colleges and Universities.

Catch a rising star at CineSiege, Nov. 19

film clapper

The School of the Arts, Media, Performance & Design’s film festival, CineSiege, is an annual juried selection of short films chosen by Department of Cinema & Media Arts alumni and leading practitioners in film and media culture.

Now in its 19th year, CineSiege celebrates rising stars in cinema with an online celebration taking place Nov. 19. The screening and festivities are open to the School of the Arts, Media, Performance & Design (AMPD), University community members and film lovers alike. The event starts at 7 p.m.

CineSiege features a juried selection of short films chosen by Department of Cinema & Media Arts alumni and leading practitioners in film and media culture. The films are selected from a shortlist compiled by AMPD professors and faculty. The shortlist is composed of nominated films selected from 200 films produced by students from all levels of the department’s undergraduate programs that were created in 2021. The nominated films include fiction, documentary and alternative works.

Nada El-OmariHugh GibsonAvrïl Jacobson and Jared Raab are the 2021 CineSiege festival jurors.

CineSiege is made possible through the generous support of founding sponsor Cinespace Film Studios, as well as the Mirkopoulos family for their outstanding contributions to AMPD, its students and the larger film community.

Nominees 

Year I  and Year II Nominees

Year I and Year II films will compete within their year and category, with outstanding features selected by film production faculty.

Year I Nominees

30 Days by Michael Speciale and Maya Danou
My Girl, Skelly by Abraham David
The Well of Fortune by Daniella Castillo

Year II Nominees

Category: Documentary
Borkenkäfer by Nicolas Flood
Kadıköy by Arca Arseven
Sayed Cima by Yassin Nour

Category:  Fiction
Anachronism by Brayden McQueen
Standby by Adelaide Berardi
Like There’s No Tomorrow by Natalia Morales Caceres

Category: Alternative
Unspoken Space by Jacob Robert
Sonder by Brayden McQueen
DK Ultra by Samuel Forsyth

Year III and Year IV Nominees 

An external jury of filmmakers, producers, critics, programmers and alumni will select the winners in the following categories amongst all Year III and Year IV films – the best fiction film, alternative project and documentary, as well as outstanding director, screenwriter, cinematographer, editor, sound designer and production designer.

Category: Documentary
Encrucijadas (Crossroads) by Rosa Urias
Metal on Ice by Brendon Kenney
My Girls by Desiree Falcao
On the Horizon by Bailey Johnson
Perfect Timing by Marissa Wheler
Talks of Faith by Melissa Affrunti
Trial of the Great Forger by Yehor Vozniuk

Category: Alternative
the Affirmations of Anywhere by Cole James
Empty Spaces where you’ve been by Kendra Howden
Fellow Travellers by Brian Alonso Ojeda
I’d rather miss out on a Tuesday by Stefano Terrana
Meander by Dous’R, aka Ferdous S. Rahman
Now They’re Just Lines by Siyao Guo
She/Pronouns by Rowan Elliot

Category: Fiction
ALIEN COP by Will Sheppard and Hayden Gallagher
Bookie by Sebastian Vives
Cleanliness Is Next to Godliness by Nicolas Collier
Coming by Honestly by Paul Villenave
Cuckoo by Rebecca Fadoju
A Date by Farhiya Ahmed
Going Up Standing Still by Carly Balestreri
In Other News by Ivan Oussa
Sugar by Dylan Posgate

To view last year’s nominees and winners, as well as other student films, check out AMPD’s YorkFlix – a hub of student creativity.

Salar Pashtoonyar

Salar Pashtoonyar

Salar Pashtoonyar, an MFA student at York, wins a bronze at the 48th Student Academy Awards competition in the Narrative (International Film Schools) category

Next Scholars’ Hub examines the art of co-creating through uncertainty

"ONE (NINE)" movie still

For the Nov. 3 edition of the Scholars’ Hub @ Home speaker series, filmmakers Lydia Zimmermann and Ingrid Veninger, an associate professor in York University’s School of the Arts, Media, Performance & Design, will host a discussion titled “Collaboration and the art of co-creating through uncertainty: ONE(NINE).”

Ingrid Veninger
Ingrid Veninger

Join an intimate discussion with the filmmakers as they share the process of making ONE(NINE), by nine filmmakers isolating in different parts of the world during the COVID-19 pandemic, about what it means to find connection in a time of isolation. On March 25, 2020, Veninger contacted Zimmermann to ask if she would be part of an international experiment. It had been 20 years since they spoke. Zimmermann said yes. This session will explore how and why we make things, when we have no idea what we are doing. 

Brought to you by York University’s Office of Alumni Engagement, the Scholars’ Hub @ Home speaker series features discussions on a broad range of topics, with engaging lectures from some of York’s best and brightest minds. Students, alumni and all members of the community are invited to attend. All sessions take place at noon via Zoom.

Events are held in partnership with Vaughan Public Libraries, Markham Public Library and Aurora Public Library.

To register for the event, visit bit.ly/3vKxnvb.

Project Commons offers innovative way to add experiential learning to courses

A group of students sit around a table and discuss a project

Launched by the York Capstone Network, the Project Commons makes it possible for faculty members to easily infuse their courses with interdisciplinary projects that are already linked to on- and off-campus partners.

By Elaine Smith, special contributor

If you’re looking to add an experiential education (EE) component to any of your courses, look no further than the Project Commons, York University’s one-stop shop for “real world” projects that can be integrated into any York classroom.

“The Project Commons makes it possible for faculty members to easily infuse their courses with interdisciplinary projects that are already linked to on- and off-campus partners,” said Danielle Robinson, an associate professor of dance in the School of the Arts, Media, Performance & Design (AMPD).

Danielle Robinson
Danielle Robinson

The Project Commons was launched by the York Capstone Network to provide students across campus with challenging, real-world projects that allow them to apply the knowledge and skills they have acquired during their university careers. Robinson and Franz Newland, an associate professor at the Lassonde School of Engineering, co-founded the network.

With assistance from staff in the YU Experience Hub and Lassonde, they have made connections with a wide assortment of organizations, businesses, and even cities and schools that are eager to work together with students in solving complex problems. Many of these projects – which are directly tied to United Nations Sustainable Development Goals (UN SDGs) – have been taken up by capstone courses, but they are available to faculty for use in any of their classes.

“For faculty members, it’s plug-and-play experiential education,” said Robinson. “We have done the legwork of finding partners and projects that are already connected to UN SDGs. There are so many ways the projects can be used: as course assignments for a whole class, as team or individual projects, as year-long classroom activities.”

Franz Newland
Franz Newland

Carolyn Steele, who teaches in the Department of Humanities and is the career development co-ordinator in Career Education & Development, says Project Commons’ offerings are “invaluable.” Last year, her students in the humanities community-focused experiential education course Doing Culture chose to use five of the available curated projects. One project, for example, was done in conjunction with African Community Services of Peel and explored ways to engage Black communities by organizing and running a series of community conversations.

“The projects are posed as a question and students are invited to respond to part of it based on their skill sets and interests,” Steele said. “The projects can, therefore, play out in many different ways.

“When the students take on one of these projects, they meet with the partner, decide on the direction and deliverables they wish to take, and forge ahead. They own the process, and the skills and knowledge they acquired throughout their degrees are put forth in a new context. Many had no idea they could do these things, and they see that all their learning really matters.”

Michaela Hynie, a professor in the Department of Psychology, taught an honours thesis course option for community-based research. A group of her students worked with a Project Commons organization, the Markham Arts Council, to evaluate a seniors’ dance program – collecting data, making observations and providing the council with their findings. Each student was able to use this collaborative project experience as the basis of their individualized honours thesis.

“It was helpful to have this resource available,” said Hynie. “It aligned nicely with the course and the students benefited. They were able to apply their research skills in the real world, not just in an academic setting.”

“These efforts help organizations, too, giving them tools and ways of thinking about the impact of their work along with the data.”

Jeffrey Harris, an assistant professor in the teaching stream at the Lassonde School of Engineering, has accessed several of the opportunities offered by the Project Commons while working with the YU Experience Hub to source project experiences for students in his third-year class, Mechanical Engineering: Professionalism and Society.

“I’ve made the course project-focused so the students must work on a project with some kind of societal/social implication,” Harris said. “One of my goals is to get engineering students to think about how they can make contributions to the world and also develop empathy and communications skills.”

The Project Commons comes in very handy, said Harris, because “over time, I’ve learned that students need authentic projects to work on.”

Last year, his students worked with: startup YU Ride, using a commuting lens to consider how to reduce the University’s carbon footprint; Peel Community Climate Council, to determine ways that food waste can be reduced; and MaRS, to explore how laneway spaces in Toronto can be utilized better.

“It would be a huge effort to do the networking required to curate these partnerships year after year,” he said. “I’ll continue to use this resource. In fact, I’m thinking about how to engage with partners for a 500-person first-year class, because when students work on a project beyond the walls of the institution, it resonates a lot more.

“Project Commons makes it a lot easier to add experiential education to our existing courses.”

Steele says the Project Commons is “a phenomenal resource.”

“In many areas, the pressure to create projects fall on the professors, which means making connections; it can be daunting and time consuming. But you can take one of these projects, think about how it makes sense in your course and determine how it could meet the learning objectives of the course. There are more than 70 projects just sitting there waiting to be used.”

Faculty across York’s campuses are invited to explore the EE options that Project Commons provides.

Ron Westray

Headshot of Ron Westray

Music website All About Jazz published a glowing review of York University Associate Professor Ron Westray’s new autobiography, Life in Reverse: Tales of a Very Stable Narcissist

Research-based exhibit on vaccination features panel discussions with York experts

A photo with a black backgroud that features two vials of COVID-19 vaccine and a syringe

York University faculty members and graduate students will participate in an exciting series of panel discussions running this fall as part of <Immune Nations>, an evidence-based exhibition about the constructive role that art can play in public discourse around life-saving vaccines.

<Immune Nations> is the first multi-year research-based exhibition to specifically address the issue of vaccination from a collaborative, interdisciplinary perspective, attentive to the arts and its many roles for advocacy and political intervention. The outcome of a multi-year project that was developed prior to the pandemic (2014-17) and co-led by Natalie Loveless (University of Alberta) with Steven Hoffman (York University) and Sean Caulfield (University of Alberta), the exhibition explores complex issues related to the use and distribution of vaccines in the world today and the capacity of artistic research to solicit complex forms of affective engagement when dealing with difficult and divisive social and political topics such as vaccination.

Steven Hoffman
Steven Hoffman

Hosted at the McMaster Museum of Art, the exhibition presents features collaborative art and research projects, including original work alongside new work produced in the context of the ongoing COVID-19 pandemic.

The panel discussions feature York’s ​Steven Hoffman, Dahdaleh Distinguished Chair in Global Governance and Legal Epidemiology, professor and director of the Global Strategy Lab; Alison Humphrey, Vanier Scholar and PhD candidate; and Caitlin Fisher, professor and director of the Immersive Storytelling Lab.

The discussions will be hosted on Zoom, and include an audience Q-and-A. All panels are free and open to the public.

Ensuring Equitable Access: Life-Saving Vaccines during COVID-19 and Beyond

Thursday, Oct. 14, 12 to 1:30 p.m.

This panel will explore the global deployment and lack of access to life-saving vaccines.

Moderator: ​Steven Hoffman, director, Global Strategy Lab

Panellists:
Annemarie Hou, appointed executive director, United Nations Office for Partnerships;
Alison Humphrey, Vanier Scholar and PhD candidate, York University;
Lauren Paremoer, senior lecturer, University of Cape Town; and
John-Arne Røttingen, ambassador for global health, Ministry of Foreign Affairs, Norway.

To learn more about the panellists and to register, click here.

Research-Creation and Global Crisis: Interdisciplinarity, Creativity and Collaboration

Thursday, Nov. 25, 12 to 1:30 p.m.

This panel investigates the role of research-creation in tackling pressing social and global problems.

Moderator: Natalie Loveless, associate professor of contemporary art and theory, University of Alberta

Panellists:
Ted Hewitt, president of the Social Sciences and Humanities Research Council of Canada;
Charu Kaushic, scientific director of the Canadian Institutes of Health Research Institute of Infection and Immunity, and professor in the Department of Medicine, McMaster University;
Caitlin Fisher, director of the Immersive Storytelling Lab and Professor of Cinema and Media Arts, York University;
Patrick Mahon, artist, curator and visual arts professor, Western University; and
​Kim TallBear, Canada Research Chair in Indigenous Peoples, Technoscience and Environment, and professor of Native Studies, University of Alberta.

To learn more about the panellists and to register, click here.

Vaccine Confidence, Fear and Misinformation in an Age of COVID

Thursday, Dec. 9, 12 to 1:30 p.m.

A panel exploring the impact of misinformation on vaccination as well as ways of countering the negative impacts of misinformation in relation to public health.

Moderator: Sean Caulfield, Professor, University of Alberta

Panellists:
Timothy Caulfield, Canada Research Chair in Health Law and Policy, University of Alberta;
Rachelle Viader Knowles, head of international for arts and humanities, Manchester Metropolitan University;
Dr. David Price, professor and Chair of the Department of Family Medicine, McMaster University; and
Theresa Tam, chief public health officer of Canada.

To learn more about the panellists and to register, click here.